01 / RESOLUTION PLAYGROUND
Compare film resolution by frame size Choose the frame dimensions and a resolution test criterion.
Film 1CineStill 50D Kodak Ektar 100 Film Onehundred 100 Kodak Pro Image 100 Kodak Portra 160 Kodak ColorPlus 200 Kodak Gold 200 Fujifilm 200 Harman Phoenix 200 Kodak Portra 400 Kodak UltraMax 400 Lomography Color Negative 400 LomoChrome Color ’92 Candido 800T Kodak Portra 800 CineStill 400Dynamic Fujifilm 400 Harman Phoenix II 200 Harman Red 125 Harman Switch Azure 125 Kodak Ektachrome E100 Fujichrome Provia 100F Fujichrome Velvia 50 Fujichrome Velvia 100 Lomography Color Negative 100 Lomography Color Negative 800 LomoChrome Classicolor 200 LomoChrome Metropolis LomoChrome Purple Pétillant LomoChrome Turquoise WOLFEN NC400 WOLFEN NC500 ADOX Color Mission 200 ILFOCOLOR Vintage Tone 400 Plus ILFOCOLOR Vivid 400 ILFOCHROME 100 Kodak VISION3 50D Kodak VISION3 200T Kodak VISION3 250D Kodak VISION3 500T Kodak AEROCOLOR IV 2460 CineStill 800T Kodak EKTACOLOR PRO 160 Kodak EKTACOLOR PRO 400 Kodak EKTACOLOR PRO 800 Kodak KODACOLOR 100 Kodak KODACOLOR 200 Kodak VERITA 200D 5206/7206 Kodak EKTACHROME 100D 5294/7294 Fujicolor C200 (historical) Fujicolor Superia X-TRA 400 (historical) Fujicolor PRO 400H (historical) LomoChrome Color '92 Sun-kissed Flic Film Chrome 100 Flic Film Elektra 100 Flic Film Aurora 400 Flic Film Apollo 18 Flic Film Psychedelic 400 SantaColor 100 RETO AMBER T640 AHU Kodak T-MAX 100 · supplement Kodak T-MAX 400 · supplement ADOX CMS 20 II PRO · supplement Flic Cine Color 50D · supplement Flic Cine Color 200T · supplement Flic Cine Color 250D · supplement Flic Cine Color 500T · supplement Film 2CineStill 50D Kodak Ektar 100 Film Onehundred 100 Kodak Pro Image 100 Kodak Portra 160 Kodak ColorPlus 200 Kodak Gold 200 Fujifilm 200 Harman Phoenix 200 Kodak Portra 400 Kodak UltraMax 400 Lomography Color Negative 400 LomoChrome Color ’92 Candido 800T Kodak Portra 800 CineStill 400Dynamic Fujifilm 400 Harman Phoenix II 200 Harman Red 125 Harman Switch Azure 125 Kodak Ektachrome E100 Fujichrome Provia 100F Fujichrome Velvia 50 Fujichrome Velvia 100 Lomography Color Negative 100 Lomography Color Negative 800 LomoChrome Classicolor 200 LomoChrome Metropolis LomoChrome Purple Pétillant LomoChrome Turquoise WOLFEN NC400 WOLFEN NC500 ADOX Color Mission 200 ILFOCOLOR Vintage Tone 400 Plus ILFOCOLOR Vivid 400 ILFOCHROME 100 Kodak VISION3 50D Kodak VISION3 200T Kodak VISION3 250D Kodak VISION3 500T Kodak AEROCOLOR IV 2460 CineStill 800T Kodak EKTACOLOR PRO 160 Kodak EKTACOLOR PRO 400 Kodak EKTACOLOR PRO 800 Kodak KODACOLOR 100 Kodak KODACOLOR 200 Kodak VERITA 200D 5206/7206 Kodak EKTACHROME 100D 5294/7294 Fujicolor C200 (historical) Fujicolor Superia X-TRA 400 (historical) Fujicolor PRO 400H (historical) LomoChrome Color '92 Sun-kissed Flic Film Chrome 100 Flic Film Elektra 100 Flic Film Aurora 400 Flic Film Apollo 18 Flic Film Psychedelic 400 SantaColor 100 RETO AMBER T640 AHU Kodak T-MAX 100 · supplement Kodak T-MAX 400 · supplement ADOX CMS 20 II PRO · supplement Flic Cine Color 50D · supplement Flic Cine Color 200T · supplement Flic Cine Color 250D · supplement Flic Cine Color 500T · supplement Film 3Add a third film CineStill 50D Kodak Ektar 100 Film Onehundred 100 Kodak Pro Image 100 Kodak Portra 160 Kodak ColorPlus 200 Kodak Gold 200 Fujifilm 200 Harman Phoenix 200 Kodak Portra 400 Kodak UltraMax 400 Lomography Color Negative 400 LomoChrome Color ’92 Candido 800T Kodak Portra 800 CineStill 400Dynamic Fujifilm 400 Harman Phoenix II 200 Harman Red 125 Harman Switch Azure 125 Kodak Ektachrome E100 Fujichrome Provia 100F Fujichrome Velvia 50 Fujichrome Velvia 100 Lomography Color Negative 100 Lomography Color Negative 800 LomoChrome Classicolor 200 LomoChrome Metropolis LomoChrome Purple Pétillant LomoChrome Turquoise WOLFEN NC400 WOLFEN NC500 ADOX Color Mission 200 ILFOCOLOR Vintage Tone 400 Plus ILFOCOLOR Vivid 400 ILFOCHROME 100 Kodak VISION3 50D Kodak VISION3 200T Kodak VISION3 250D Kodak VISION3 500T Kodak AEROCOLOR IV 2460 CineStill 800T Kodak EKTACOLOR PRO 160 Kodak EKTACOLOR PRO 400 Kodak EKTACOLOR PRO 800 Kodak KODACOLOR 100 Kodak KODACOLOR 200 Kodak VERITA 200D 5206/7206 Kodak EKTACHROME 100D 5294/7294 Fujicolor C200 (historical) Fujicolor Superia X-TRA 400 (historical) Fujicolor PRO 400H (historical) LomoChrome Color '92 Sun-kissed Flic Film Chrome 100 Flic Film Elektra 100 Flic Film Aurora 400 Flic Film Apollo 18 Flic Film Psychedelic 400 SantaColor 100 RETO AMBER T640 AHU Kodak T-MAX 100 · supplement Kodak T-MAX 400 · supplement ADOX CMS 20 II PRO · supplement Flic Cine Color 50D · supplement Flic Cine Color 200T · supplement Flic Cine Color 250D · supplement Flic Cine Color 500T · supplement
IMAGE AREA / CONSTANT SCALE
36 × 24 mm 864 mm² 1.00× the area of a 36 × 24 mm frame
Kodak KODACOLOR 100: no resolution input at this criterion / scope.
02 / CONTRAST SWITCH
Choose the resolution criterion MTF50 Low contrast High contrast Partial MTF10
Frequency where contrast transfer falls to 50%. Graph readings are approximate; ranges span color-layer curves, not confidence bounds.
Evidence usedProduct-specific inputs Include established base-stock estimates Explore proposed base-stock scenarios 03 / FILM COMPARISON
Compare up to three films Use the same test criterion and frame dimensions for each film.
36 by 24 millimetres. MTF50. Kodak KODACOLOR 100: unavailable. Fujichrome Velvia 50: 7.5 megapixels, Approximate graph reading
Unavailable No usable MTF50 input in this evidence scope.
Resolution unavailable
Processing C-41
Documentation Matching PDF not located
Underlying stock Existing Kodak stock not named; Pro Image 100 hypothesis contestedExact stock unresolved Full research → Approximate graph reading ~7.5 MP equivalent
3,351 × 2,234 samples
46.5 cycles/mm
Trace this result E-6/CR-56; daylight
Original unit: cycles/mm. MTF frequency is stated in cycles/mm.
MP = 36 × 24 × (2 × R)² / 1,000,000
Source page 8 ↗
Processing E-6
Documentation Film technical sheet
Underlying stock No recorded base relationshipProduct-specific record Full research → Highlighted rows differ between selections. Results use ideal two-sample spatial sampling; they are not measured digital-camera ratings. Lens, exposure, development and scanning also affect delivered detail.
Browse all catalog films at this criterion The same frame, criterion and evidence scope apply to every row. Unavailable values are retained.
CineStill 50D Unavailable No input at this criterion / scope Compare Fujifilm 200 Unavailable No input at this criterion / scope Compare Candido 800T Unavailable No input at this criterion / scope Compare Fujifilm 400 Unavailable No input at this criterion / scope Compare WOLFEN NC400 Unavailable No input at this criterion / scope Compare WOLFEN NC500 Unavailable No input at this criterion / scope Compare Scanner file size is a separate calculation A 36 × 24 mm frame sampled at 4,000 PPI creates approximately 21.4 million pixels. That file size does not establish resolved film detail.